Publicação
Between Dance and Utopia, the Body as a Metaphor
| Resumo: | In the year the world commemorates four centuries since the death of both Cervantes and Shakespeare and 500 years since the publication of Thomas More’s, Utopia, the X International Conference from the series Iberian and Slavonic Cultures in Contact and Comparison, held in May, 2016, in the University of Lisbon, had, as subject, From Utopia to Utopianism: Universal Brotherhood and other Utopian Modes. Even before getting involved with a work, as attractive as complex – putting side by side a concept (Utopia) that I got in touch many years ago and a passion that has followed me all my life (Dance) – first, I tried to understand what kind of academic works I could count on. And second, how original my ideas could be. With little theoretical instruments I ended up to relay on my long experience as a dancer and a Dance History teacher. And the result was a text that went from the general to the particular, from narrative to spirituality and from practice to reflection. With it I close the 45th World Congress on Dance Research, in Warsaw (Poland). |
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| Autores principais: | Laginha, António |
| Assunto: | Dança Utopia Bailado História Dance Utopia Ballet History |
| Ano: | 2017 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | unknown |
| Instituição associada: | Conservatório - Escola Profissional das Artes da Madeira, Eng.º Luiz Peter Clode |
| Idioma: | português |
| Origem: | Revista Portuguesa de Educação Artística |
| Resumo: | In the year the world commemorates four centuries since the death of both Cervantes and Shakespeare and 500 years since the publication of Thomas More’s, Utopia, the X International Conference from the series Iberian and Slavonic Cultures in Contact and Comparison, held in May, 2016, in the University of Lisbon, had, as subject, From Utopia to Utopianism: Universal Brotherhood and other Utopian Modes. Even before getting involved with a work, as attractive as complex – putting side by side a concept (Utopia) that I got in touch many years ago and a passion that has followed me all my life (Dance) – first, I tried to understand what kind of academic works I could count on. And second, how original my ideas could be. With little theoretical instruments I ended up to relay on my long experience as a dancer and a Dance History teacher. And the result was a text that went from the general to the particular, from narrative to spirituality and from practice to reflection. With it I close the 45th World Congress on Dance Research, in Warsaw (Poland). |
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