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O mobiliário civil setecentista da “Cela de Santo Ambrósio” do Museu de Arouca

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Detalhes bibliográficos
Resumo:The so-called “St. Ambrose Cell”, in the Museum of Arouca (Portugal), is a show-case revealing the interaction of religious apparatus and vernacular domestic furniture. Many stylistic references crossed Portuguese late eighteenth-century Decorative Arts. This miniature reveals a semi-private space of a religious scholar, where he could pray, write and socialize. It’s studded with a multitude of pieces representative of the Portuguese civil fashion of the eighteenth century. Several chairs, a settee, a table, a cabinet as well books in two shelves of English influence are decorated with crimson silk fabric. Two cages hang from the ceiling. A monkey and a parrot on their perches are signs of colonial exoticism of the time.
Autores principais:Valente, Adelina
Assunto:Maquineta Miniatura Finais do século XVIII Mobiliário religioso e civil português Influência inglesa Miniature Late eighteenth-century Portuguese religious and vernacular furniture English influence Miniatura Célula Finales del siglo XVIII Muebles religiosos y civiles portugueses Influencia inglés
Ano:2012
País:Portugal
Tipo de documento:artigo
Tipo de acesso:unknown
Instituição associada:Universidade Católica Portuguesa
Idioma:português
Origem:Revista de Artes Decorativas
Descrição
Resumo:The so-called “St. Ambrose Cell”, in the Museum of Arouca (Portugal), is a show-case revealing the interaction of religious apparatus and vernacular domestic furniture. Many stylistic references crossed Portuguese late eighteenth-century Decorative Arts. This miniature reveals a semi-private space of a religious scholar, where he could pray, write and socialize. It’s studded with a multitude of pieces representative of the Portuguese civil fashion of the eighteenth century. Several chairs, a settee, a table, a cabinet as well books in two shelves of English influence are decorated with crimson silk fabric. Two cages hang from the ceiling. A monkey and a parrot on their perches are signs of colonial exoticism of the time.

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