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«CAMINHA SÍLABA A SÍLABA»: THE ART OF TRAVELING IN THE POETRY OF EUGENIO DE ANDRADE

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Bibliographic Details
Summary:Eugénio de Andrade (1923-2005) is one of the most celebrated and widely translated Portuguese contemporary writers, having published over thirty collections of poems, and winning several national and international literary prizes. As an attentive poet and an inquisitive tourist, Andrade traveled frequently to Spain, France, Italy and Greece, meeting fellow poets (Vicente Aleixandre, Dámaso Alonso, etc.), visiting different towns and historic places. He frequently mentions Madrid, Valverde del Fresno, Rome, Delphi, Thebes, Sunion, Venice, Brindisi, Corfu, etc. As a result of these travels, we find in his poetry, prose poems and chronicles abundant references to Mediterranean countries, cultures and nature. Andrade poetically captures the “genius loci”, emphasizing the bonds between the people, the fauna, the flora, the ocean and the weather. From his pristine writings up to his last book, he coherently displays a “Mediterranean vision”. Resorting to his books and to excerpts from some of the interviews he granted, my paper identifies, exemplifies, examines and assesses those aspects, exploring a neglected facet of this poet.
Main Authors:de Mancelos, João
Subject:Eugénio de Andrade visão mediterrânica turismo “genius loci” paisagens mentais Eugénio de Andrade Mediterranean vision tourism “genius loci” mental landscapes
Year:2019
Country:Portugal
Document type:article
Access type:unknown
Associated institution:Instituto Superior de Contabilidade e Administração do Porto
Language:Portuguese
Origin:Polissema
Description
Summary:Eugénio de Andrade (1923-2005) is one of the most celebrated and widely translated Portuguese contemporary writers, having published over thirty collections of poems, and winning several national and international literary prizes. As an attentive poet and an inquisitive tourist, Andrade traveled frequently to Spain, France, Italy and Greece, meeting fellow poets (Vicente Aleixandre, Dámaso Alonso, etc.), visiting different towns and historic places. He frequently mentions Madrid, Valverde del Fresno, Rome, Delphi, Thebes, Sunion, Venice, Brindisi, Corfu, etc. As a result of these travels, we find in his poetry, prose poems and chronicles abundant references to Mediterranean countries, cultures and nature. Andrade poetically captures the “genius loci”, emphasizing the bonds between the people, the fauna, the flora, the ocean and the weather. From his pristine writings up to his last book, he coherently displays a “Mediterranean vision”. Resorting to his books and to excerpts from some of the interviews he granted, my paper identifies, exemplifies, examines and assesses those aspects, exploring a neglected facet of this poet.

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