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Comunicando o INvisível: a fotografia como “coisa mental”, em Rosângela Rennó

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Detalhes bibliográficos
Resumo:This article discusses the communicative status of the photographic image in the field of contemporary visual art. The paper analyses the construction of “no images photographies”, which constitutes the “Arquivo Universal”, a project by brazilian visual contemporary artist Rosângela Rennó, and focus on the uncanny uses the artist makes of photography in her work. It also highlights the possibilities of expansion of the potentialities of expression of the photografic image and the renewal of its conditions of prodution and of reception in this context.
Autores principais:Gonçalves, Fernando do Nascimento
Outros Autores:Del Negri, Tainá; Tavares, Carlos Romário
Assunto:Comunicação Arte Fotografia
Ano:2006
País:Brasil
Tipo de documento:artigo
Tipo de acesso:acesso aberto
Instituição associada:IBICT
Idioma:português
Origem:Oasisbr
Descrição
Resumo:This article discusses the communicative status of the photographic image in the field of contemporary visual art. The paper analyses the construction of “no images photographies”, which constitutes the “Arquivo Universal”, a project by brazilian visual contemporary artist Rosângela Rennó, and focus on the uncanny uses the artist makes of photography in her work. It also highlights the possibilities of expansion of the potentialities of expression of the photografic image and the renewal of its conditions of prodution and of reception in this context.

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