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Criticism and authorism - an Analysis of Making Cinema in Glauber and Godard

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Detalhes bibliográficos
Resumo:The present essay verifies the contexts and the bases that made possible the appearance of a new kind of cinema, namely the French Nouvelle Vague and the Cinema Novo in Brazil. As a means for transformation the issue of film criticism appears as a fundamental piece, be it for the critical debate it generated, be it for its own critical nature. Thus, around the late 1950s new cinematographic conceptions are presented, due to a cultural effervescence, both in Brazil and in France. Such a period favored the aspirations of the main filmmakers taking part in that movement: Jean-Luc Godard and Glauber Rocha. The issues they were concerned with, as the notion of author, are investigated here together with the critical trend, as a means for identifying and delineating their cinematography.
Autores principais:Malinowskimailto, Gabriel
Outros Autores:Oliveira Filho, Wilson
Assunto:Criticism Cinema Author Glauber and Godard Crítica Cine Autor Glauber y Godard Critique Cinema Auteur Glauber et Godard Crítica Cinema Autor Glauber e Godard
Ano:2008
País:Brasil
Tipo de documento:artigo
Tipo de acesso:acesso aberto
Instituição associada:IBICT
Idioma:português
Origem:Oasisbr
Descrição
Resumo:The present essay verifies the contexts and the bases that made possible the appearance of a new kind of cinema, namely the French Nouvelle Vague and the Cinema Novo in Brazil. As a means for transformation the issue of film criticism appears as a fundamental piece, be it for the critical debate it generated, be it for its own critical nature. Thus, around the late 1950s new cinematographic conceptions are presented, due to a cultural effervescence, both in Brazil and in France. Such a period favored the aspirations of the main filmmakers taking part in that movement: Jean-Luc Godard and Glauber Rocha. The issues they were concerned with, as the notion of author, are investigated here together with the critical trend, as a means for identifying and delineating their cinematography.

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