Publicação
DIALOGUE WITH MARIA GABRIELA LLANSOL’S HOUSE: A POETIC ESSAY
| Resumo: | A poetic interpretation, indeed! Could it be any other way? Since the foreword we are captured by rupture. A letter adressed to our doubt demonstrates and safeguards the transitory narrative made of most diverse dialogues - between characters or between the ways of engaging with the text. Poems cross the writing in an emergency of what is to-be-said and misroute in the playful and concrete proposition of heavy flow speeches. In lines of passed pages, deflowered by fingers curious for reading, poetry stands outs in the yellowish-white sheets silently full of ideas. Paper is the bed for language in announcement of the ink that paints words' shaping. Hence, in a crossing of multiple texts, we are launched in the singularity of a complex textual net. The narrative is pregnant with formal diversity, with both sounding and dissonant possibilities of sense. Memory, history, frighten and questioning are articulate in the deviation of the formalized. This is the way we go, sliding in the speech of language that questions itself in intervals of verbs and verses in a poem always in the process of construction. |
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| Autores principais: | Santana Pessanha, Fábio |
| Assunto: | diálogo descaminhos poesia palavras memória |
| Ano: | 2010 |
| País: | Brasil |
| Tipo de documento: | artigo |
| Tipo de acesso: | unknown |
| Instituição associada: | IBICT |
| Idioma: | português |
| Origem: | Oasisbr |
| Resumo: | A poetic interpretation, indeed! Could it be any other way? Since the foreword we are captured by rupture. A letter adressed to our doubt demonstrates and safeguards the transitory narrative made of most diverse dialogues - between characters or between the ways of engaging with the text. Poems cross the writing in an emergency of what is to-be-said and misroute in the playful and concrete proposition of heavy flow speeches. In lines of passed pages, deflowered by fingers curious for reading, poetry stands outs in the yellowish-white sheets silently full of ideas. Paper is the bed for language in announcement of the ink that paints words' shaping. Hence, in a crossing of multiple texts, we are launched in the singularity of a complex textual net. The narrative is pregnant with formal diversity, with both sounding and dissonant possibilities of sense. Memory, history, frighten and questioning are articulate in the deviation of the formalized. This is the way we go, sliding in the speech of language that questions itself in intervals of verbs and verses in a poem always in the process of construction. |
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