Publicação
Listening, astonishment and canto: the poem’s route in Ferreira Gullar
| Resumo: | Ferreira Gullar affirmed on several occasions, critical and biographical texts and interviews that his poetry is born from the daily and the astonishment, that is the feeling of strangeness before objects and situations already known. This article discusses if these theoretical assertions are true in Gullar’s poetic work, that is, if the daily and the astonishment can be identified as the poem’s source. To that end, this study selected poems published in Muitas vozes (1999) and, to support the lecture, it will be considered some theoretical texts written by Gullar and writings from Octavio Paz, Maurice Blanchot and Jacques Aumont. |
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| Autores principais: | da Silva Mota, Ana Carolina |
| Outros Autores: | Busato, Susanna |
| Assunto: | Ferreira Gullar astonishment daily poem. Ferreira Gullar asombro cotidiano poema. Ferreira Gullar espanto cotidiano poema. |
| Ano: | 2018 |
| País: | Brasil |
| Tipo de documento: | artigo |
| Tipo de acesso: | unknown |
| Instituição associada: | IBICT |
| Idioma: | português |
| Origem: | Oasisbr |
| Resumo: | Ferreira Gullar affirmed on several occasions, critical and biographical texts and interviews that his poetry is born from the daily and the astonishment, that is the feeling of strangeness before objects and situations already known. This article discusses if these theoretical assertions are true in Gullar’s poetic work, that is, if the daily and the astonishment can be identified as the poem’s source. To that end, this study selected poems published in Muitas vozes (1999) and, to support the lecture, it will be considered some theoretical texts written by Gullar and writings from Octavio Paz, Maurice Blanchot and Jacques Aumont. |
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