Publicação
Anthropophagy, memory cultural and uses of past in How tasty was my little frenchman (1971) by Nelson Pereira dos Santos
| Resumo: | The modernist tradition of anthropophagy is one of the matries of the images of the past of the Brazilian cultural memory. The film and visual culture are instances in which the knowledge of the past comes and circulates in society, this text points the use of the trope of anthropophagy in the film How tasty was my little frenchman (1971) by Nelson Pereira dos Santos. Merging the tropology with iconology, we observe the specificity of anthropophagy in the early 1970s and the displacement of the modernist legacy, highlighting the public use of the past in narrative film during the civil-military regime. |
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| Autores principais: | Santiago Júnior, Francisco |
| Assunto: | Cinema Image Historical culture Cine Imagen Cultura historica Cinema Imagem Cultura histórica |
| Ano: | 2016 |
| País: | Brasil |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | IBICT |
| Idioma: | português |
| Origem: | Oasisbr |
| Resumo: | The modernist tradition of anthropophagy is one of the matries of the images of the past of the Brazilian cultural memory. The film and visual culture are instances in which the knowledge of the past comes and circulates in society, this text points the use of the trope of anthropophagy in the film How tasty was my little frenchman (1971) by Nelson Pereira dos Santos. Merging the tropology with iconology, we observe the specificity of anthropophagy in the early 1970s and the displacement of the modernist legacy, highlighting the public use of the past in narrative film during the civil-military regime. |
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