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Ciclos: O feminino em engrenagens.

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Detalhes bibliográficos
Resumo:"Ciclos" consists of my conclusion work in Visual Arts Graudation, in the Art Department of the Federal University of Rio Grande do Norte. It is composed of an installation, which takes the same name, and the record of the process of creation, research and construction of the reference field that grounds the conceptual basis of this work, compiled in this monograph. The installation is made up of automotive scrap pieces, arranged on the floor and divided by segments. Each piece has different sizes and weights, carries marks of time and previous placements. Each groove and grain of sand function as marks that identify a whole trajectory of senses.Another intermittent part of this work is the pedagogical activity carried out, which consisted of a workshop based on the practice of appropriation in the context of contemporary art.
Autores principais:Pequeno, Lourena Kallahan Soares
Assunto:Instalação. Apropriação. Feminismo. Arquivo. Sucata. Peças automotoras. Installation; Appropriation; Scrap; Feminism; Archive; Automotive parts.
Ano:2017
País:Brasil
Tipo de documento:trabalho de fim de curso
Tipo de acesso:acesso aberto
Instituição associada:IBICT
Idioma:português
Origem:Oasisbr
Descrição
Resumo:"Ciclos" consists of my conclusion work in Visual Arts Graudation, in the Art Department of the Federal University of Rio Grande do Norte. It is composed of an installation, which takes the same name, and the record of the process of creation, research and construction of the reference field that grounds the conceptual basis of this work, compiled in this monograph. The installation is made up of automotive scrap pieces, arranged on the floor and divided by segments. Each piece has different sizes and weights, carries marks of time and previous placements. Each groove and grain of sand function as marks that identify a whole trajectory of senses.Another intermittent part of this work is the pedagogical activity carried out, which consisted of a workshop based on the practice of appropriation in the context of contemporary art.

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