Publicação
Luís Antônio Gabriela: when the body is the costume
| Resumo: | In times of urban guerrillas, this article presents an analysis of Cia. Mungunzá de Teatro’s play Luís Antônio Gabriela costume. The protagonist is a transvestite, loved but misunderstood by her family. The drama is autobiographical, since the director of the play, Nelson Baskerville (2012), is Luis Antônio’s brother. The purpose of this research is to understand the costume as part of a microcosm within staging (VIANA, 2010), establishing relationships between body and costume, and collaborating for the diffusion of theatre as a political and social statement. The applied methodology is qualitative, observing interviews, as well as cross-referencing data about the company and the play. |
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| Autores principais: | Vasconcelos, Tainá Macêdo |
| Assunto: | Costume design. Cia. Mungunzá de Teatro. LGBTI. Traje de cena. Cia. Mungunzá de Teatro. LGBTI. |
| Ano: | 2019 |
| País: | Brasil |
| Tipo de documento: | artigo |
| Tipo de acesso: | unknown |
| Instituição associada: | IBICT |
| Idioma: | português |
| Origem: | Oasisbr |
| Resumo: | In times of urban guerrillas, this article presents an analysis of Cia. Mungunzá de Teatro’s play Luís Antônio Gabriela costume. The protagonist is a transvestite, loved but misunderstood by her family. The drama is autobiographical, since the director of the play, Nelson Baskerville (2012), is Luis Antônio’s brother. The purpose of this research is to understand the costume as part of a microcosm within staging (VIANA, 2010), establishing relationships between body and costume, and collaborating for the diffusion of theatre as a political and social statement. The applied methodology is qualitative, observing interviews, as well as cross-referencing data about the company and the play. |
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