Publication
From montage to collage: found footage, voice-over and essay-film
| Summary: | The objective is to investigate, in the light of Seams (Karim Aïnouz, 1993), how voice-over, found footage and film-essay are put in relation as well as behave as autonomous creative practices in works that reuse archival footage. Our hypothesis is that the approximation between these elements occurs mainly through the editing procedure, being often connected with the notion of collage. We intend to analyze the editing procedures of the film, to finally signal that the collage is responsible not only for putting in a creative relation the voice-over, the found footage and the film-essay, but for ensuring that these elements enhance their narrative roles before the discursive and critical textual construction, about Brazilian machismo, intended by the short film. |
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| Main Authors: | de Almeida, Rafael |
| Subject: | found footage voz-over metacrítica filme-ensaio collage Seams (filme). |
| Year: | 2020 |
| Country: | Brazil |
| Document type: | article |
| Access type: | unknown |
| Associated institution: | IBICT |
| Language: | Portuguese |
| Origin: | Oasisbr |
| Summary: | The objective is to investigate, in the light of Seams (Karim Aïnouz, 1993), how voice-over, found footage and film-essay are put in relation as well as behave as autonomous creative practices in works that reuse archival footage. Our hypothesis is that the approximation between these elements occurs mainly through the editing procedure, being often connected with the notion of collage. We intend to analyze the editing procedures of the film, to finally signal that the collage is responsible not only for putting in a creative relation the voice-over, the found footage and the film-essay, but for ensuring that these elements enhance their narrative roles before the discursive and critical textual construction, about Brazilian machismo, intended by the short film. |
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Funded activities
No funded projects found.