Publicação

Can MachinesDo Art? Non human interventions in art and fashion

Detalhes bibliográficos
Resumo:	The first step in the evolution of technologically driven visual art genres was taken with the application of controlling spray guns and electrical brushes by David Alvaro Siqueiros 1920. The decisive break occurs again in contemporary fashion designs and installations (Savage Beauty 2011). Hence we have to emphasize upon the growing insularity and autonomy of technologically rebellious art – in the reduced human intention in patterns on dresses exhibited by the fashion maverick Alexander McQueen. We shall be able to appreciate the fact that the form of representation is most likely to be similar to a mechanics of accidence and autonomy, rather than control, and reflective of the independence of the machine itself, now called the machine being.
Autores principais:	Thompson, Reynaldo
Outros Autores:	Mukhopadhyay, Tirtha
Assunto:	Arte Gesto Moda Robô Tecnologia Art Fashion Gesture Robots Technology Arte Gesto Moda Robot Tecnología
Ano:	2021
País:	Brasil
Tipo de documento:	artigo
Tipo de acesso:	acesso aberto
Instituição associada:	IBICT
Idioma:	inglês
Origem:	Oasisbr

Descrição
Resumo:	The first step in the evolution of technologically driven visual art genres was taken with the application of controlling spray guns and electrical brushes by David Alvaro Siqueiros 1920. The decisive break occurs again in contemporary fashion designs and installations (Savage Beauty 2011). Hence we have to emphasize upon the growing insularity and autonomy of technologically rebellious art – in the reduced human intention in patterns on dresses exhibited by the fashion maverick Alexander McQueen. We shall be able to appreciate the fact that the form of representation is most likely to be similar to a mechanics of accidence and autonomy, rather than control, and reflective of the independence of the machine itself, now called the machine being.

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