Publicação
RESONANCES OF THE DIVINE COMEDY IN ÁLVARES DE AZEVEDO’S WORK
| Resumo: | This article aims to show how A Divina comédia (2017), by Dante Alighieri, influenced Álvares de Azevedo’s work, romantic brazilian writer of the 19th century. In addition, some critics are approached who perceived this dantesque influence on the young poet like Monteiro (2000), Andrade (2011) and Lucchesi (2013). This research was motivated by the imperative need to present the relationship between the brazilian poet and the Comedy, as it almost went unnoticed by the literary critic; therefore, it shows how the dantesque work gave meaning to the azevedian work, in order to better understand unexplored aspects of same. It was found, by means of a quantitative survey, that, in the integral azevedian work, the dantesque resonances range from references to the name of the florentine poet, to dantesque characters, to the plots of the songs and to direct quotes from verses. |
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| Autores principais: | PAIXÃO, Alexandre Silva da |
| Outros Autores: | ANDRADE, Alexandre de Melo |
| Assunto: | Álvares de Azevedo Divine Comedy Resonances Azevedian work Álvares de Azevedo Divina Comédia Ressonâncias Obra azevediana |
| Ano: | 2021 |
| País: | Brasil |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | IBICT |
| Idioma: | português |
| Origem: | Oasisbr |
| Resumo: | This article aims to show how A Divina comédia (2017), by Dante Alighieri, influenced Álvares de Azevedo’s work, romantic brazilian writer of the 19th century. In addition, some critics are approached who perceived this dantesque influence on the young poet like Monteiro (2000), Andrade (2011) and Lucchesi (2013). This research was motivated by the imperative need to present the relationship between the brazilian poet and the Comedy, as it almost went unnoticed by the literary critic; therefore, it shows how the dantesque work gave meaning to the azevedian work, in order to better understand unexplored aspects of same. It was found, by means of a quantitative survey, that, in the integral azevedian work, the dantesque resonances range from references to the name of the florentine poet, to dantesque characters, to the plots of the songs and to direct quotes from verses. |
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