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Signatures of gazes: an analysis of the photobiography of José Cardoso Pires

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Bibliographic Details
Summary:The present article aims to analyse hypotheses for reading and understanding a photobook from a specific case: the photobiography. To do so, we take as object of study the photobiography of the writer José Cardoso Pires by Inês Pedrosa, published one year after the author's death. In a predominantly visual genre, we intend to explore the concept of narrativity, commonly associated with the structure of verbal texts. Furthermore, we look into the relations between text and image, within the photobiography, for the production of a third genre: the essay, which is inserted in the work through the text-montage O cirurgião das palavras, also by Inês Pedrosa. Thus, the photobiography is analysed from symbolic, narrative, and rhetorical perspectives.
Main Authors:Mendes, Gabriella
Other Authors:Gomes, Rita
Subject:photobook photobiography image argument José Cardoso Pires Portuguese Literature Photography fotolivro fotobiografia imagem argumento José Cardoso Pires Literatura Portuguesa Fotografia fotolibro fotobiografía imagen argumento José Cardoso Pires Literatura Portuguesa Fotografía
Year:2021
Country:Portugal
Document type:article
Access type:unknown
Associated institution:Imprensa da Universidade de Coimbra
Language:Portuguese
Origin:MATLIT: Materialities of Literature
Description
Summary:The present article aims to analyse hypotheses for reading and understanding a photobook from a specific case: the photobiography. To do so, we take as object of study the photobiography of the writer José Cardoso Pires by Inês Pedrosa, published one year after the author's death. In a predominantly visual genre, we intend to explore the concept of narrativity, commonly associated with the structure of verbal texts. Furthermore, we look into the relations between text and image, within the photobiography, for the production of a third genre: the essay, which is inserted in the work through the text-montage O cirurgião das palavras, also by Inês Pedrosa. Thus, the photobiography is analysed from symbolic, narrative, and rhetorical perspectives.

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