Publicação
Realidades Combinadas e as Artes Performativas
| Resumo: | Art and technology have the same etymological root, and despite a coexistence that is not always peaceful, nowadays there are several areas in which they are inseparable. This coexistence became evident in 1965 when Georg Nees exhibited at Studio Galerie a set of works produced in computer and printed through a plotter. Although technology is often considered as a mere set of tools that enable or expand the artist’s creativity, they can nonetheless be artistic platforms per se. The Augmented Reality and the Virtual are two technologies that portray this situation, being simultaneously a medium and an object of the artistic production. This article intends to present a reflection about the potential of these media in the performative arts, both in the perspective of the author/ performer and in the perspective of the spectator. |
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| Autores principais: | Azevedo, João |
| Outros Autores: | Dionísio, Tiago; Donga, João; Castro, António Vieira de |
| Assunto: | art technology multimedia performance augmented and virtual reality arte tecnologia multimédia performance realidade aumentada e virtual |
| Ano: | 2018 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | unknown |
| Instituição associada: | Instituto Politécnico do Porto |
| Idioma: | português |
| Origem: | Cadernos IRI |
| Resumo: | Art and technology have the same etymological root, and despite a coexistence that is not always peaceful, nowadays there are several areas in which they are inseparable. This coexistence became evident in 1965 when Georg Nees exhibited at Studio Galerie a set of works produced in computer and printed through a plotter. Although technology is often considered as a mere set of tools that enable or expand the artist’s creativity, they can nonetheless be artistic platforms per se. The Augmented Reality and the Virtual are two technologies that portray this situation, being simultaneously a medium and an object of the artistic production. This article intends to present a reflection about the potential of these media in the performative arts, both in the perspective of the author/ performer and in the perspective of the spectator. |
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