Publicação
As formas breves e o teatro mínimo nos Bonecos de Santo Aleixo
| Resumo: | Since it has traditionally occupied a marginal status within the system of reputed theatrical forms, puppet theatre possesses a repertoire of great interest for a refl ection on what can be understood as «minimal theatre». This paper intends to highlight this notion by focussing on a case study, the theatre of «the puppets of Santo Aleixo». Apart from resorting to a repertoire which covers several forms either derived from farce – typically a short form – or contaminated by it, it is a kind of performance in which the dialogue as a minimal form of theatre or «meaning-form» adopts a predominant role and visibility, thereby hailing the essence of theatre itself in the Aristotelian sense. |
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| Autores principais: | Zurbach, Christine |
| Assunto: | Teatro de marionetas Bonecos de Santo Aleixo Formas teatrais Diálogo teatral Pupett Theatre Santo Aleixo Pupetts Theatrical Forms Theatrical Dialogue |
| Ano: | 2007 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Instituição associada: | Departamento de Línguas e Culturas da Universidade de Aveiro |
| Idioma: | português |
| Origem: | Forma Breve |
| Resumo: | Since it has traditionally occupied a marginal status within the system of reputed theatrical forms, puppet theatre possesses a repertoire of great interest for a refl ection on what can be understood as «minimal theatre». This paper intends to highlight this notion by focussing on a case study, the theatre of «the puppets of Santo Aleixo». Apart from resorting to a repertoire which covers several forms either derived from farce – typically a short form – or contaminated by it, it is a kind of performance in which the dialogue as a minimal form of theatre or «meaning-form» adopts a predominant role and visibility, thereby hailing the essence of theatre itself in the Aristotelian sense. |
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