Publicação
Os filmes e o pensamento de Ed Pincus: o cinema direto em direção à autobiografia
| Resumo: | Ed Pincus’ oeuvre may be seen as a development of the American direct cinema of the 1970s. Leading the MIT Film Section, Pincus’ intelectual and cinematographic work evidences the proposal of a direct-autobiographic cinema. I will seek to expose conceptually this scenario through the use of primary information sources, as well as through an analysis of Diaries (1971–1976), his most important documentary. Keywords: Ed Pincus; autobiographical documentary; direct cinema; MIT Film Sec- tion; Cambridge. |
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| Autores principais: | Tonelo, Gabriel Kitofi |
| Ano: | 2018 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | unknown |
| Instituição associada: | Universidade da Beira Interior (UBI, Portugal) e Universidade Estadual de Campinas (UNICAMP, Brasil) |
| Idioma: | português |
| Origem: | Doc On-line-Revista Digital de Cinema Documentário |
| Resumo: | Ed Pincus’ oeuvre may be seen as a development of the American direct cinema of the 1970s. Leading the MIT Film Section, Pincus’ intelectual and cinematographic work evidences the proposal of a direct-autobiographic cinema. I will seek to expose conceptually this scenario through the use of primary information sources, as well as through an analysis of Diaries (1971–1976), his most important documentary. Keywords: Ed Pincus; autobiographical documentary; direct cinema; MIT Film Sec- tion; Cambridge. |
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