Publicação
For a history of the histories of Portuguese cinema
| Resumo: | For decades, the history of Portuguese cinema was made without historians or academics in the social sciences and humanities, but made by curious, enthusiasts and writers who were committed to the object itself. It was therefore that these early writings, although an essential role in collecting and inventariações sources, promoted the creation of myths, more implicitly or explicitly manipulated the past of Portuguese cinema and conditioned its historic narrative.This thematic dossier brings together four essays that analyze and reflect on different ideas and conceptions of Portuguese Cinema which have been outlined in stocks, texts and films over the decades. The purpose of this dossier is not to answer questions, but take advantage of them to review preconceived ideas and to launch reading hypotheses to classic and current issues in the history of Portuguese cinema. |
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| Autores principais: | Cunha, Paulo |
| Assunto: | cinema português cinema nacional história identidade tradição Portuguese cinema national cinema history identity tradition |
| Ano: | 2016 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Instituição associada: | Associação de Investigadores da Imagem em Movimento |
| Idioma: | português |
| Origem: | Aniki : Revista Portuguesa da Imagem em Movimento |
| Resumo: | For decades, the history of Portuguese cinema was made without historians or academics in the social sciences and humanities, but made by curious, enthusiasts and writers who were committed to the object itself. It was therefore that these early writings, although an essential role in collecting and inventariações sources, promoted the creation of myths, more implicitly or explicitly manipulated the past of Portuguese cinema and conditioned its historic narrative.This thematic dossier brings together four essays that analyze and reflect on different ideas and conceptions of Portuguese Cinema which have been outlined in stocks, texts and films over the decades. The purpose of this dossier is not to answer questions, but take advantage of them to review preconceived ideas and to launch reading hypotheses to classic and current issues in the history of Portuguese cinema. |
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