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Engaging colonial sound archives: a comprehensive and shared listening approach to an Angolan folk song

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Resumo:Abstract This article draws on anthropology, ethnomusicology, history, sound studies, and postcolonial theory to engage with a Cokwe song recorded in the 1950’s in northeastern Angola. Muambuâmbua song addresses desertion from colonial contract or forced labor, a practice often depicted in historiography as a straightforward act of anticolonial resistance. However, by analyzing this song through a methodology that I term “comprehensive and shared listening”, I uncover meanings of flight from forced labor that move beyond this narrow framework. The study combines archival research with multi-sited, collaborative ethnographic fieldwork in Portugal and Angola (2014-1016). The song is examined in dialogue with diverse archival sources and narratives shared by interlocutors. This approach reveals how sensitive experiences shaped by unequal power relations cannot be fully understood through sound recordings or visual and written documents alone. By engaging with sound through alternative modes of listening - the archive itself and to people who inhabit its histories - this article exposes hidden layers of meaning about colonial domination, African resistance, and agency, and contributes to the decolonial reactivation of colonial sound archives.
Autores principais:Valentim,Cristina Sá
Assunto:Cokwe music - Angola colonial sound archives power forced/contract labor research methodology
Ano:2025
País:Portugal
Tipo de documento:artigo
Tipo de acesso:acesso aberto
Instituição associada:Fundação para a Ciência e Tecnologia
Idioma:inglês
Origem:SciELO Portugal
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author Valentim,Cristina Sá
author_facet Valentim,Cristina Sá
author_role author
country_str PT
creators_json_txt [{\"Person.name\":\"Valentim,Cristina Sá\"}]
datacite.creators.creator.creatorName.fl_str_mv Valentim,Cristina Sá
datacite.rights.fl_str_mv http://purl.org/coar/access_right/c_abf2
datacite.subjects.subject.fl_str_mv Cokwe music - Angola
colonial sound archives
power
forced/contract labor
research methodology
datacite.titles.title.fl_str_mv Engaging colonial sound archives: a comprehensive and shared listening approach to an Angolan folk song
dc.creator.none.fl_str_mv Valentim,Cristina Sá
dc.format.none.fl_str_mv text/html
dc.identifier.none.fl_str_mv http://scielo.pt/scielo.php?script=sci_arttext&pid=S0873-65612025000300645
dc.language.none.fl_str_mv eng
dc.publisher.none.fl_str_mv Centro em Rede de Investigação em Antropologia - CRIA
dc.rights.none.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.source.none.fl_str_mv Etnográfica v.29 n.3 2025
dc.subject.none.fl_str_mv Cokwe music - Angola
colonial sound archives
power
forced/contract labor
research methodology
dc.title.fl_str_mv Engaging colonial sound archives: a comprehensive and shared listening approach to an Angolan folk song
dc.type.none.fl_str_mv http://purl.org/coar/resource_type/c_6501
description Abstract This article draws on anthropology, ethnomusicology, history, sound studies, and postcolonial theory to engage with a Cokwe song recorded in the 1950’s in northeastern Angola. Muambuâmbua song addresses desertion from colonial contract or forced labor, a practice often depicted in historiography as a straightforward act of anticolonial resistance. However, by analyzing this song through a methodology that I term “comprehensive and shared listening”, I uncover meanings of flight from forced labor that move beyond this narrow framework. The study combines archival research with multi-sited, collaborative ethnographic fieldwork in Portugal and Angola (2014-1016). The song is examined in dialogue with diverse archival sources and narratives shared by interlocutors. This approach reveals how sensitive experiences shaped by unequal power relations cannot be fully understood through sound recordings or visual and written documents alone. By engaging with sound through alternative modes of listening - the archive itself and to people who inhabit its histories - this article exposes hidden layers of meaning about colonial domination, African resistance, and agency, and contributes to the decolonial reactivation of colonial sound archives.
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person_str_mv Valentim,Cristina Sá
publishDate 2025
publisher.none.fl_str_mv Centro em Rede de Investigação em Antropologia - CRIA
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spelling Engaging colonial sound archives: a comprehensive and shared listening approach to an Angolan folk songValentim,Cristina SáCokwe music - Angolacolonial sound archivespowerforced/contract laborresearch methodologyopen accesshttp://purl.org/coar/access_right/c_abf2http://scielo.pt/scielo.php?script=sci_arttext&pid=S0873-65612025000300645URLhttp://scielo.pt/scielo.php?script=sci_arttext&pid=S0873-65612025000300645URLHasVersion2025-12-01Abstract This article draws on anthropology, ethnomusicology, history, sound studies, and postcolonial theory to engage with a Cokwe song recorded in the 1950’s in northeastern Angola. Muambuâmbua song addresses desertion from colonial contract or forced labor, a practice often depicted in historiography as a straightforward act of anticolonial resistance. However, by analyzing this song through a methodology that I term “comprehensive and shared listening”, I uncover meanings of flight from forced labor that move beyond this narrow framework. The study combines archival research with multi-sited, collaborative ethnographic fieldwork in Portugal and Angola (2014-1016). The song is examined in dialogue with diverse archival sources and narratives shared by interlocutors. This approach reveals how sensitive experiences shaped by unequal power relations cannot be fully understood through sound recordings or visual and written documents alone. By engaging with sound through alternative modes of listening - the archive itself and to people who inhabit its histories - this article exposes hidden layers of meaning about colonial domination, African resistance, and agency, and contributes to the decolonial reactivation of colonial sound archives.Centro em Rede de Investigação em Antropologia - CRIAEtnográfica v.29 n.3 2025text/htmlengjournal articlehttp://purl.org/coar/resource_type/c_6501literature
spellingShingle Engaging colonial sound archives: a comprehensive and shared listening approach to an Angolan folk song
Valentim,Cristina Sá
Cokwe music - Angola
colonial sound archives
power
forced/contract labor
research methodology
status SINGLETON
subject.fl_str_mv Cokwe music - Angola
colonial sound archives
power
forced/contract labor
research methodology
title Engaging colonial sound archives: a comprehensive and shared listening approach to an Angolan folk song
title_full Engaging colonial sound archives: a comprehensive and shared listening approach to an Angolan folk song
title_fullStr Engaging colonial sound archives: a comprehensive and shared listening approach to an Angolan folk song
title_full_unstemmed Engaging colonial sound archives: a comprehensive and shared listening approach to an Angolan folk song
title_short Engaging colonial sound archives: a comprehensive and shared listening approach to an Angolan folk song
title_sort Engaging colonial sound archives: a comprehensive and shared listening approach to an Angolan folk song
topic Cokwe music - Angola
colonial sound archives
power
forced/contract labor
research methodology
topic_facet Cokwe music - Angola
colonial sound archives
power
forced/contract labor
research methodology
url http://scielo.pt/scielo.php?script=sci_arttext&pid=S0873-65612025000300645
visible 1

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