Publication
WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL
| Summary: | This article searched for the com-prehension of self-biography as art’s material. The reference artists were Louise Bourgeois, Frida Kahlo and José Leonilson. Bourgeois transforms her memories, loses and traumas in art. Kahlo mislead the pain, expresses her passion for life. Leonilson faces the proximity of death. I’ve found connections with those artists whose lives and works gets mixed. The methodological procedure comes from theoretical investigation and from practical work in relation with the dialectic during the whole process. From Gaston Bachelard, concern the concept of house/body, as place of the dreamlike dimension of memory. Philippe Lejeune discusses self-biography and the writing diary with the function of preser-ving memory. Georges Didi-Huberman talks about the absence as presence, trace, and the skin as place of signs of both aging/memory and of desire/touch. The result of this process were three works that connect with the artists listed and with the concepts brought by the theorists, and show the use of memory, self-biography and the absen-ces as singular expressions. |
|---|---|
| Main Authors: | Vaz, Rita Isabel |
| Other Authors: | Panek, Bernadette Maria |
| Subject: | memórias ausências autobiografia arte memories absences self-biography art |
| Year: | 2018 |
| Country: | Brazil |
| Document type: | article |
| Access type: | unknown |
| Associated institution: | IBICT |
| Language: | Portuguese |
| Origin: | Oasisbr |
| _version_ | 1871518257819680768 |
|---|---|
| author | Vaz, Rita Isabel |
| author2 | Panek, Bernadette Maria |
| author2_role | author |
| author_facet | Vaz, Rita Isabel Panek, Bernadette Maria |
| author_role | author |
| country_str | BR |
| creators_json_txt | [{\"Person.name\":\"Vaz, Rita Isabel\"},{\"Person.name\":\"Panek, Bernadette Maria\"}] |
| datacite.creators.creator.creatorName.fl_str_mv | Vaz, Rita Isabel Panek, Bernadette Maria |
| datacite.subjects.subject.fl_str_mv | memórias ausências autobiografia arte memories absences self-biography art |
| datacite.titles.title.fl_str_mv | WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL Tecendo memórias e ausências: Autobiografia como matéria da arte |
| dc.creator.none.fl_str_mv | Vaz, Rita Isabel Panek, Bernadette Maria |
| dc.description.none.fl_str_mv | Este artigo buscou compreender a autobiografia como matéria da arte tendo como referência os artistas Louise Bourgeois, Frida Kahlo e José Leonilson. Bourgeois transforma suas memórias, perdas e traumas em arte. Kahlo dribla a dor, expressa sua paixão pela vida. Leonilson enfrenta a proximidade da morte. Encontrei conexão com estes artistas cujas vidas e obras se confundem. O procedimento metodológico parte da investigação teórica e do trabalho prático em relação dialética ao longo de todo o processo. De Gaston Bachelard, interessa o conceito de casa/corpo, como lugar da dimensão onírica da recordação. Philippe Lejeune discute autobiografia e a escrita de diário com a função de conservar a memória. E Georges Didi-Huberman trata a ausência como presença, vestígio, e a pele como lugar dos sinais tanto do envelhecimento/memória quanto do desejo/toque. Resultaram desse processo três obras que se conectam aos artistas elencados e aos conceitos trazidos pelos teóricos, e evidenciam o uso da memória, da autobiografia e das ausências como expressão singular. Palavras-chave: Memórias. Ausências. Autobiografia. |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://doi.org/10.5965/2175234610212018010 |
| dc.language.none.fl_str_mv | por |
| dc.publisher.none.fl_str_mv | Universidade do Estado de Santa Catarina |
| dc.source.none.fl_str_mv | Palíndromo; Vol. 10 No. 21 (2018): Palíndromo 21; 10-26 Palíndromo; v. 10 n. 21 (2018): Palíndromo 21; 10-26 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
| dc.subject.none.fl_str_mv | memórias ausências autobiografia arte memories absences self-biography art |
| dc.title.fl_str_mv | WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL Tecendo memórias e ausências: Autobiografia como matéria da arte |
| dc.type.none.fl_str_mv | http://purl.org/coar/resource_type/c_6501 |
| description | This article searched for the com-prehension of self-biography as art’s material. The reference artists were Louise Bourgeois, Frida Kahlo and José Leonilson. Bourgeois transforms her memories, loses and traumas in art. Kahlo mislead the pain, expresses her passion for life. Leonilson faces the proximity of death. I’ve found connections with those artists whose lives and works gets mixed. The methodological procedure comes from theoretical investigation and from practical work in relation with the dialectic during the whole process. From Gaston Bachelard, concern the concept of house/body, as place of the dreamlike dimension of memory. Philippe Lejeune discusses self-biography and the writing diary with the function of preser-ving memory. Georges Didi-Huberman talks about the absence as presence, trace, and the skin as place of signs of both aging/memory and of desire/touch. The result of this process were three works that connect with the artists listed and with the concepts brought by the theorists, and show the use of memory, self-biography and the absen-ces as singular expressions. |
| dirty | 0 |
| eu_rights_str_mv | unknown |
| format | article |
| id | oasisbr_fd36efccd4104fd8db6e8ca54947e312 |
| identifier.doi.fl_str_mv | https://doi.org/10.5965/2175234610212018010 |
| inst_facet_str | urn:organizationAcronym:oasisbr{{{_:::_}}}IBICT |
| instacron_str | OASISBR |
| institution | IBICT |
| instname_str | IBICT |
| language | por |
| network_acronym_str | oasisbr |
| network_name_str | Oasisbr |
| oai_identifier_str | oai:ojs.revistas.udesc.br:article/12488 |
| organization_str_mv | urn:organizationAcronym:oasisbr |
| person_str_mv | Vaz, Rita Isabel Panek, Bernadette Maria |
| publishDate | 2018 |
| publisher.none.fl_str_mv | Universidade do Estado de Santa Catarina |
| repo_facet_str | urn:repositoryAcronym:oasisbr{{{_:::_}}}Oasisbr |
| reponame_str | Oasisbr |
| repository_id_str | urn:repositoryAcronym:oasisbr |
| service_str_mv | urn:repositoryAcronym:oasisbr |
| spelling | WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIALTecendo memórias e ausências: Autobiografia como matéria da arteVaz, Rita IsabelPanek, Bernadette Mariamemóriasausênciasautobiografiaartememoriesabsencesself-biographyartCopyright (c) 2018 Palíndromohttp://creativecommons.org/licenses/by/4.0open accesshttp://purl.org/coar/access_right/c_abf2https://doi.org/10.5965/2175234610212018010DOIhttps://www.revistas.udesc.br/index.php/palindromo/article/view/12488URLHasVersionhttps://www.revistas.udesc.br/index.php/palindromo/article/view/12488/8512URLHasVersionhttps://doi.org/10.5965/2175234610212018010DOI2018-07-31This article searched for the com-prehension of self-biography as art’s material. The reference artists were Louise Bourgeois, Frida Kahlo and José Leonilson. Bourgeois transforms her memories, loses and traumas in art. Kahlo mislead the pain, expresses her passion for life. Leonilson faces the proximity of death. I’ve found connections with those artists whose lives and works gets mixed. The methodological procedure comes from theoretical investigation and from practical work in relation with the dialectic during the whole process. From Gaston Bachelard, concern the concept of house/body, as place of the dreamlike dimension of memory. Philippe Lejeune discusses self-biography and the writing diary with the function of preser-ving memory. Georges Didi-Huberman talks about the absence as presence, trace, and the skin as place of signs of both aging/memory and of desire/touch. The result of this process were three works that connect with the artists listed and with the concepts brought by the theorists, and show the use of memory, self-biography and the absen-ces as singular expressions.Este artigo buscou compreender a autobiografia como matéria da arte tendo como referência os artistas Louise Bourgeois, Frida Kahlo e José Leonilson. Bourgeois transforma suas memórias, perdas e traumas em arte. Kahlo dribla a dor, expressa sua paixão pela vida. Leonilson enfrenta a proximidade da morte. Encontrei conexão com estes artistas cujas vidas e obras se confundem. O procedimento metodológico parte da investigação teórica e do trabalho prático em relação dialética ao longo de todo o processo. De Gaston Bachelard, interessa o conceito de casa/corpo, como lugar da dimensão onírica da recordação. Philippe Lejeune discute autobiografia e a escrita de diário com a função de conservar a memória. E Georges Didi-Huberman trata a ausência como presença, vestígio, e a pele como lugar dos sinais tanto do envelhecimento/memória quanto do desejo/toque. Resultaram desse processo três obras que se conectam aos artistas elencados e aos conceitos trazidos pelos teóricos, e evidenciam o uso da memória, da autobiografia e das ausências como expressão singular. Palavras-chave: Memórias. Ausências. Autobiografia.porapplication/pdfUniversidade do Estado de Santa CatarinaPalíndromo; Vol. 10 No. 21 (2018): Palíndromo 21; 10-26Palíndromo; v. 10 n. 21 (2018): Palíndromo 21; 10-262175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCjournal articlehttp://purl.org/coar/resource_type/c_6501literatureVoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85 |
| spellingShingle | WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL Vaz, Rita Isabel memórias ausências autobiografia arte memories absences self-biography art |
| status | SINGLETON |
| status_str | VoR |
| subject.fl_str_mv | memórias ausências autobiografia arte memories absences self-biography art |
| title | WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL |
| title_full | WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL |
| title_fullStr | WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL |
| title_full_unstemmed | WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL |
| title_short | WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL |
| title_sort | WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL |
| topic | memórias ausências autobiografia arte memories absences self-biography art |
| topic_facet | memórias ausências autobiografia arte memories absences self-biography art |
| url | https://doi.org/10.5965/2175234610212018010 |
| visible | 1 |
Funded activities
No funded projects found.