Publicação
As pesquisas históricas na interpretação de Chopin
| Resumo: | The researches on historically informed performance were, at first, focused on seventeenth- and eighteenth- century works; hence they brought new thoughts on traditional analytical procedures, and also stimulated new performances of these styles. However, instead of pointing unambiguous and precise results, such studies have multiplied the possibilities of musical interpretation. The researches on these subjects have reached, little by little, to the domains of other musical styles. In this article, we shall deal with some performance issues brought by the number of music editions on Frédéric Chopin (1810-1849). The unrestricted access to the first editions at internet, altogether with the possibilities brought by historical approaches have expanded the established guidelines for his music and have brought more flexibility to some topics of their performance practice, such as phrase structuring, touches, tone, fingering, pedaling, rubati and ornamentations. |
|---|---|
| Autores principais: | Marun, Nahim |
| Assunto: | Contemporary piano performance Editorial procedures in frédéric chopin Romanticism’s historical informed performance |
| Ano: | 2018 |
| País: | Brasil |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | IBICT |
| Idioma: | português |
| Origem: | Oasisbr |
| _version_ | 1871568534561095680 |
|---|---|
| author | Marun, Nahim |
| author_facet | Marun, Nahim |
| author_role | author |
| country_str | BR |
| creators_json_txt | [{\"Person.name\":\"Marun, Nahim\"}] |
| datacite.creators.creator.creatorName.fl_str_mv | Marun, Nahim |
| datacite.date.Accepted.fl_str_mv | 2015-01-01T00:00:00Z |
| datacite.date.available.fl_str_mv | 2018-12-11T16:38:19Z |
| datacite.date.embargoed.fl_str_mv | 2018-12-11T16:38:19Z |
| datacite.rights.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| datacite.subjects.subject.fl_str_mv | Contemporary piano performance Editorial procedures in frédéric chopin Romanticism’s historical informed performance |
| datacite.titles.title.fl_str_mv | As pesquisas históricas na interpretação de Chopin |
| dc.creator.none.fl_str_mv | Marun, Nahim |
| dc.date.Accepted.fl_str_mv | 2015-01-01T00:00:00Z |
| dc.date.available.fl_str_mv | 2018-12-11T16:38:19Z |
| dc.date.embargoed.fl_str_mv | 2018-12-11T16:38:19Z |
| dc.format.none.fl_str_mv | 167-188 |
| dc.identifier.none.fl_str_mv | http://hdl.handle.net/11449/167788 |
| dc.language.none.fl_str_mv | por |
| dc.rights.none.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| dc.source.none.fl_str_mv | reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
| dc.subject.none.fl_str_mv | Contemporary piano performance Editorial procedures in frédéric chopin Romanticism’s historical informed performance |
| dc.title.fl_str_mv | As pesquisas históricas na interpretação de Chopin |
| dc.type.none.fl_str_mv | http://purl.org/coar/resource_type/c_6501 |
| description | The researches on historically informed performance were, at first, focused on seventeenth- and eighteenth- century works; hence they brought new thoughts on traditional analytical procedures, and also stimulated new performances of these styles. However, instead of pointing unambiguous and precise results, such studies have multiplied the possibilities of musical interpretation. The researches on these subjects have reached, little by little, to the domains of other musical styles. In this article, we shall deal with some performance issues brought by the number of music editions on Frédéric Chopin (1810-1849). The unrestricted access to the first editions at internet, altogether with the possibilities brought by historical approaches have expanded the established guidelines for his music and have brought more flexibility to some topics of their performance practice, such as phrase structuring, touches, tone, fingering, pedaling, rubati and ornamentations. |
| dirty | 0 |
| eu_rights_str_mv | openAccess |
| format | article |
| id | oasisbr_5500a69b4d63e8a4eaad7ffd3884313c |
| identifier.url.fl_str_mv | http://hdl.handle.net/11449/167788 |
| inst_facet_str | urn:organizationAcronym:oasisbr{{{_:::_}}}IBICT |
| instacron_str | OASISBR |
| institution | IBICT |
| instname_str | IBICT |
| language | por |
| network_acronym_str | oasisbr |
| network_name_str | Oasisbr |
| oai_identifier_str | oai:repositorio.unesp.br:11449/167788 |
| organization_str_mv | urn:organizationAcronym:oasisbr |
| person_str_mv | Marun, Nahim |
| publishDate | 2018 |
| repo_facet_str | urn:repositoryAcronym:oasisbr{{{_:::_}}}Oasisbr |
| reponame_str | Oasisbr |
| repository_id_str | urn:repositoryAcronym:oasisbr |
| service_str_mv | urn:repositoryAcronym:oasisbr |
| spelling | As pesquisas históricas na interpretação de ChopinMarun, NahimContemporary piano performanceEditorial procedures in frédéric chopinRomanticism’s historical informed performanceopen accesshttp://purl.org/coar/access_right/c_abf2http://hdl.handle.net/11449/167788HandlePer Musi, n. 31, p. 167-188, 2015.N/AHasVersion1517-7599N/AHasVersionS1517-75992015000100167N/AHasVersion2-s2.0-84924462913N/AHasVersionS1517-75992015000100167.pdfN/AHasVersionhttps://doi.org/http://dx.doi.org/10.1590/permusi2015a3110DOIhttp://hdl.handle.net/11449/167788Handlehttps://doi.org/10.1590/permusi2015a3110DOI2018-12-11T16:38:19Z2018-12-112015-01-01T00:00:00ZThe researches on historically informed performance were, at first, focused on seventeenth- and eighteenth- century works; hence they brought new thoughts on traditional analytical procedures, and also stimulated new performances of these styles. However, instead of pointing unambiguous and precise results, such studies have multiplied the possibilities of musical interpretation. The researches on these subjects have reached, little by little, to the domains of other musical styles. In this article, we shall deal with some performance issues brought by the number of music editions on Frédéric Chopin (1810-1849). The unrestricted access to the first editions at internet, altogether with the possibilities brought by historical approaches have expanded the established guidelines for his music and have brought more flexibility to some topics of their performance practice, such as phrase structuring, touches, tone, fingering, pedaling, rubati and ornamentations.por167-188reponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPjournal articlehttp://purl.org/coar/resource_type/c_6501literatureVoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85 |
| spellingShingle | As pesquisas históricas na interpretação de Chopin Marun, Nahim Contemporary piano performance Editorial procedures in frédéric chopin Romanticism’s historical informed performance |
| status | SINGLETON |
| status_str | VoR |
| subject.fl_str_mv | Contemporary piano performance Editorial procedures in frédéric chopin Romanticism’s historical informed performance |
| title | As pesquisas históricas na interpretação de Chopin |
| title_full | As pesquisas históricas na interpretação de Chopin |
| title_fullStr | As pesquisas históricas na interpretação de Chopin |
| title_full_unstemmed | As pesquisas históricas na interpretação de Chopin |
| title_short | As pesquisas históricas na interpretação de Chopin |
| title_sort | As pesquisas históricas na interpretação de Chopin |
| topic | Contemporary piano performance Editorial procedures in frédéric chopin Romanticism’s historical informed performance |
| topic_facet | Contemporary piano performance Editorial procedures in frédéric chopin Romanticism’s historical informed performance |
| url | http://hdl.handle.net/11449/167788 |
| visible | 1 |
Atividades financiadas
Não foram encontrados projetos financiados.