Publicação
Filme-ensaio e formas de inscrição da subjetividade
| Resumo: | The inscription of the subjectivity is an essential feature of the process ofcreation of the essay film. Two modes gained prominence and intensified themselves in contemporary times: the presence of the filmmaker with his/her body in the visual image and the presence through filmmakers’ voice in the sound image. Often there is a simultaneity of both modes. But there is a third mode of this inscription in which its presence is virtualized, actualizing itself in the creation of “intercessors” / “conceptual characters” / “aesthetic figures”. |
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| Autores principais: | Teixeira, Francisco Elinaldo |
| Assunto: | essay film inscription of subjectivity intercessors conceptual characters aesthetic figures cine-ensayo inscripción de la subjetividad intercesores personajes conceptuales figuras estéticas filme-ensaio inscrição da subjetividade intercessores personagens conceituais figuras estéticas |
| Ano: | 2019 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | unknown |
| Instituição associada: | Universidade da Beira Interior (UBI, Portugal) e Universidade Estadual de Campinas (UNICAMP, Brasil) |
| Idioma: | português |
| Origem: | Doc On-line-Revista Digital de Cinema Documentário |
| Resumo: | The inscription of the subjectivity is an essential feature of the process ofcreation of the essay film. Two modes gained prominence and intensified themselves in contemporary times: the presence of the filmmaker with his/her body in the visual image and the presence through filmmakers’ voice in the sound image. Often there is a simultaneity of both modes. But there is a third mode of this inscription in which its presence is virtualized, actualizing itself in the creation of “intercessors” / “conceptual characters” / “aesthetic figures”. |
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