Publication
The Portuguese Cinema, Trans-temporality and the Myth
| Summary: | Eduardo Lourenço has focused some of his research on the historical-mythical relationship of the Portuguese with their country, claiming that they have been living in a kind of hyper-identity, incorporating an obsession with the past, which co-exists with a waiting utopian by future, as is demonstrates the Sebastianism myth. Focused on the representations of trans-temporality, identity, collective memory and myth, The Portuguese Cinema, Trans-temporality and the Myth, concentrated especially in Eduardo Lourenço's work to propose a research on how the identity myths – created and disseminated by Portuguese literature over the centuries – earned imagistic representations in the twentieth and twenty-first century’s, through a cinema that built or deconstructed these historical and patriotic mythological, inscribing image capacities to continually rebuild one mythologized common heritage. |
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| Main Authors: | Castelo Branco, Sara |
| Subject: | cinema português mito memória identidade nacional transtemporalidade Portuguese cinema myth memory national identity transtemporality |
| Year: | 2016 |
| Country: | Portugal |
| Document type: | article |
| Associated institution: | Associação de Investigadores da Imagem em Movimento |
| Language: | Portuguese |
| Origin: | Aniki : Revista Portuguesa da Imagem em Movimento |
| Summary: | Eduardo Lourenço has focused some of his research on the historical-mythical relationship of the Portuguese with their country, claiming that they have been living in a kind of hyper-identity, incorporating an obsession with the past, which co-exists with a waiting utopian by future, as is demonstrates the Sebastianism myth. Focused on the representations of trans-temporality, identity, collective memory and myth, The Portuguese Cinema, Trans-temporality and the Myth, concentrated especially in Eduardo Lourenço's work to propose a research on how the identity myths – created and disseminated by Portuguese literature over the centuries – earned imagistic representations in the twentieth and twenty-first century’s, through a cinema that built or deconstructed these historical and patriotic mythological, inscribing image capacities to continually rebuild one mythologized common heritage. |
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