Publicação
Time, Transit, Subjectivity in En Construcción and El Cielo Gira
| Resumo: | Thinking about the processes of transformation of the meanings of belonging and the discovery of an absolute foreignness, Spanish documentary cinema of the 2000s was based on a double emergency: the scenic landscape is immediately led to be real, while the Reality is inscribed in a (defiant) personification of filmic forms. The article discusses the metaphors of deterritorialization in the excavation of time, silence, emptiness and its remains in two fundamental Spanish documentary films of the 2000s: En Construcción (José Luis Guerín, 2000) and El Cielo Gira (Mercedes Álvarez, 2004). |
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| Autores principais: | Teixeira, Rafael Tassi |
| Assunto: | Documentary Memory Cinema Documentário Memória Cinema |
| Ano: | 2018 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Instituição associada: | Associação de Investigadores da Imagem em Movimento |
| Idioma: | português |
| Origem: | Aniki : Revista Portuguesa da Imagem em Movimento |
| Resumo: | Thinking about the processes of transformation of the meanings of belonging and the discovery of an absolute foreignness, Spanish documentary cinema of the 2000s was based on a double emergency: the scenic landscape is immediately led to be real, while the Reality is inscribed in a (defiant) personification of filmic forms. The article discusses the metaphors of deterritorialization in the excavation of time, silence, emptiness and its remains in two fundamental Spanish documentary films of the 2000s: En Construcción (José Luis Guerín, 2000) and El Cielo Gira (Mercedes Álvarez, 2004). |
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